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"Oh, no, not now," pleads Violet, hastily. She rises hurriedly from her seat, and lays her disengaged hand on his lips. For once in her life she loses sight of her self-possession, and a blush, warm and rich as carmine, mantles on her cheek.,

She looks up at him again with some fire in her eyes and a flush upon her cheeks. Perhaps some of the natural lawlessness of her kindred is making her blood warm. So standing, however, she is the very embodiment of youth and love and sweetness, and so the duke admits.,

"Sure they all admire me," says Miss Mona, with an exasperating smile, meant to wither.,

"Yes. One can understand that," replies she, gravely, not heeding the closeness of his regard. "Many things affect me curiously," she goes on, dreamily,—"sad pictures and poetry and the sound of sweet music."

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"Do not ever speak to me like that again," says Mona, turning upon him eyes humid with disappointment, yet free from wrath of any kind. "As for Mr. Moore," with a curl of her short upper lip that it does him good to see, and a quick frown, "why, he is as old as the hills, and as fat as Tichborne, and he hasn't got a single hair on his head!",

"Malcolm, who was that lovely creature you were talking to just now?" asks his mother, as Lauderdale draws near her.,

Geoffrey removes the heavy lace that lies round her throat, and then leads her up to the hearthrug nearly opposite to his mother's arm-chair.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home."